Dolce Napoli: Approaches for performance

Recorders for the Neapolitan Baroque repertoire 1695-1759

Inês de Avena Braga
Supervising team:
Prof. dr. h.c. Ton Koopman (promotor), prof. Frans de Ruiter (promotor), prof. dr. Dinko Fabris (promotor), Peter van Heyghen (co-promotor)
Musician type:
baroque, castel, concerto, mancini, panormo, pullj, recorder, sinfonia, sonata
17th century music, 18th century music



In her PhD thesis, Inês examined two previously neglected topics, Baroque Italian recorders and the Neapolitan Baroque repertoire for the recorder, and then combined both aspects in her artistic practice. 

First, information was collected on all Italian Baroque recorders currently known, including biographical references about the makers of these recorders, as well as technical drawings, measurements and photographs. The practical experience with the copies of a few of those recorders was described by the author. Second, the Baroque repertoire composed in Naples for the recorder was researched, uncovering a rich and forgotten corpus of music written and copied between 1695 and 1759. The Neapolitan recorder works were also listed with a brief analysis and further commentary on the recorder part, with a view of connecting the works with the instruments that might have once been used to play them. Furthermore, an overview of the social and cultural atmosphere of Naples in the early eighteenth century was offered as contextualization to the musical ambience, aided by iconographical references. Conclusions on performance practice are presented as a result of the combination of both research aspects. The artistic outcome of this study has brought together, in the CD "Dolce Napoli: sonate & concerti per flauto" but also in live performances, the two main aspects of the research: 'new' instruments and 'new' works.

Related events

July 2nd, 2015 (15h00)

Inês de Avena Braga's PhD Defense

Inês de Avena Braga publicly defended her thesis Dolce Napoli: Approaches for performance; Recorders for the Neapolitan Baroque repertoire 1695-1759 on Thursday July 2nd at 15h00, at the Academiegebouw Leiden.

June 29 & July 1 2015 (20h00, 17h30)

Inês de Avena Braga's PhD concert and lecture-recital

On Monday June 29 at 20h00 Inês de Avena Braga presented the artistic outcomes of her research project in the form of a concert with her ensemble La Cicala at the Waalse Kerk, Breestraat 62, 2311 CS, Leiden.

On Wednesday July 1 at 17h30 she gave a lecture-recital in Studio I of the Royal Conservatoire, Juliana Van Stolberglaan 1, 2595 CA The Hague.