Annemarie Dragosits
The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.
Keywords:
affetto, basso continuo, harpsichord, kapsperger, ornamentation, passaggi, rome, vocal music
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