On the international stage, we are seeing an increasing presence and growing phenomenon of musical-gestural pieces. Musical-gestural pieces feature prominently physical elements for visual aesthetics, explicitly notated by the composer. Notated as musical scores, performed by highly trained musicians, the role of the musical-gestural performer is one that spans multiple disciplines, between music and movement, and requires a multifaceted and highly skilled interpreter with specific capabilities. The rise of this genre, demands investigation from the point of view of the performer providing insight for future artists and academics in this field.
My doctoral trajectory will investigate the collaborative process in musical-gestural pieces. I will develop a performance practice allowing understanding of the skills required, with a focus on notational and practice problematics, and the physical embodiment of the pieces during the process. Research in the genre of musical-gestural pieces will be completed through artistic collaborations with composers in this field, through analysis and examination of the process, and through public performances. Necessary understanding of this phenomenon will create informed composers and performers, and allow the artistic community the unique opportunity to better comprehend this genre, generating broader interest in new musical-gestural works.