De focus van het onderzoek ligt in het fenomeen ‘reductie’, het wegnemen van essentiële elementen van het muziek maken, teneinde de musicus theatraal te laten worden.
Her research of playing-techniques of the Italian salterio is based on three different approaches:
At a time where repertoire from different ages and places is readily accessible, the perception of heritage and tradition has been deeply transformed. Aesthetic choices and orientations are strongly related to themes such as the relationship with the past, cultural heritage, and narratives related to both collective and individual memory.
The relationship between performer and musical work has shifted focus in the last fifty years.